Although the conception of art collective is not a new figure, it would be impossible to define the work of RCH without thinking in the decision that each of its members has taken to work this way. Because the works that they develop are channeled through the extent of the collaborative practice itself, and it is from this genesis that arise the engineering and operational codes with which the group operates.
The interests fluctuate, overlap. What does it matter the conviction of each of its members if it has to be always filtered by four more individuals? What remains of that first certainty? Rosa Chancho states that the conviction lies in the need that any idea must be filtered four times? Rosa Chancho becomes a process of synthesis and decantings. Rational adventures, emotional and physical skills are used as instruments.
Rosa Chancho seeks to eliminate discernment between group and individual, be both at the same time. To generate projects that exceed the notion of democracy and approval.
Rosa Chancho 's work is defined from within, with internal boundaries. Its projects: performances, sculptures and events that bring the individual inside, to the center of the scene. Projects that present rules and limits meant to be broken, actions that overlap with others, the individual body and the body of a community recognized as form and matter, the spaces as unique and specific, the criticism to institutions, ritual and humor.
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